THE WAY HOME

“...when he comes home..., Rejoice with me”
Luke 15:6

Jerry Hawn and Josh Hawn

copyright 1995 - revised 2000

Casting Notes:
16 or more parts - 6 male and 7 female and 3 either one (narrator and children); some parts may be doubled in the western brawl flashback scene.

Set Notes:
We performed this on a small stage without a normal curtain. Minimal props are needed. Offices can be a small desk and chair. Cafe can be 2-3 card tables with tablecloths and chairs. ( A video of our performance may be obtained for staging ideas.) We used flash powder (available at novelty/magic trick stores) to simulate the explosion, but use it sparingly - it makes a very bright flash. We used the same set for the Old West Sagebrush, but used a less aged sign (on the back of the other one).

Scene Description - may be included in program:
Act 1
Scene 1 - CD’s Office - Friday afternoon
Scene 2 - Sagebrush Cafe - Saturday morning
Scene 3 - Rose’s Office - Saturday afternoon
Scene 4 - Sagebrush Cafe - Saturday evening
Act 2
Scene 1 - Sagebrush - Monday
Scene 2 - Old West Sagebrush - sometime in the 1800's
Act 3
Scene 1 - Sagebrush - Tuesday
Scene 2 - Sagebrush - A few hours later
Scene 3 - Sagebrush - A few minutes later

Script Key:
Nar= Narrator				Car= Carrie (waitress)		Old West Scene:
CD= C.D. Merritt			Liz= Lizabeth			Ma=  also plays Carrie
Bet= Betty (his secretary)		Lor= Loreen			D= David - also plays CD
RT= Rose Thompson			Luc= Lucille			Jn= John - also plays Jessie
Cor= Cora Merritt			Ches= Chester			Assorted cowboys - may be 
Jes= Jessie Merritt			Dirk 				doubles of other cast members
Bri= Bridget Merritt			Ted
And= Andrea Merritt			Pas= Pastor Carter
	
Royalty:
This script is copyrighted.
Keep your conscience happy - pay the royalty fee when the play is performed.
2000-2001 fees for non-profit groups: $50 first performance, $25 each performance thereafter.

InSight Productions		309-928-2109
1018 E Richardson St		jhawn@farmwagon.com
Farmer City, IL 61842		coming soon: www.farmercity.org/insight

Act I                                                                                
Scene 1 - Setting: modern office. CD is sitting at desk doing paperwork. Betty, his secretary, stands nearby.

CD: On the way back from lunch today, I stopped by warehouse 5  where we had the reported electrical problems.  The locks had been changed and I couldn't get in.  Rose Thompson leases that warehouse from me. She's a good client, so I'm not going to make an issue of it. But I do need to get this resolved. Betty, could you see if you can get her on the phone for me?

Bet: OK , Mr Merritt,  I' ll do that right away. (exits)

 Nar: (Walks onto set. Characters have no awareness of  narrator.)  Our story  involves CD Merritt, the man sitting at the desk.  CD left his home and traveled to the big city in order to make his fortune.  He has been successful, at least in monetary terms.  His real estate business has brought him much wealth and prestige.

Bet: (enters) Rose Thompson  was out when I called, but I left her a message to contact us.

Nar: CD is about to discover what many people ultimately realize: wealth alone  is not enough. It is Rose Thompson who is going to help him make that discovery.  Later that afternoon,  Rose Thompson enters his office. 

RT: I got your message, I thought I'd drop in personally.  What did you want to see me about?

CD: Nice of you to drop by, Rose. I stopped by the warehouse today to check the building because there had been some electrical problems in that part of town.  Apparently you changed the locks  without notifying me.

RT: Sorry, I was going to tell you - (hesitantly, covering her tracks) but there was a break in, and I had the locks changed.  I'll have a set of keys sent over.(pause) So then, you didn't get into the building?

CD: No,  I unlocked the gate and went up to the door, but I couldn't get in.  I went around to the side and looked in the small window to try and get someone's attention, but I didn't see anyone.

RT: What did you see?

CD: Nothing. Just a plain blue van.  Why do you ask?

RT: CD, you've been a good landlord to me.  I think I may inherit some money shortly.  If  it works out, I may be looking for some more warehouse space.  Why don't you start looking for something for me? I can be very generous to those people who help me get what I want. (Flirting with him - touching arm) Perhaps we can even make each other happy in several ways.

CD: (surprised, but flattered by her interest) Yes, perhaps we can.

RT: I'll look forward to that, CD. You see,  I am used to getting what I want. (pause, CD stands) Well, I must  be going. Two of my associates should be completing a rather large financial transaction about now. I'm looking forward to a prosperous and  close (lays hand on his arm)  relationship.

CD:  Yes, I'll be looking for that warehouse space and be in touch with you soon.   (RT exits) (CD stares at door for awhile, shakes his head.) (To himself) There's something about her.....appealing, yet dangerous. It's been a profitable relationship so far. If  there's something better than money, wouldn't it be a woman with money? (pause) Betty, would you bring in the warehouse listings?
(She enters)
Bet: Here they are. Can I get you anything else?

CD: No, but you're familiar with these listings. I'm looking for something for Rose Thompson.  Something comparable to her current warehouse and close by.

Bet: I just retyped those this morning. Hmmm, let me think.  What about that building at 5th and Monroe?

CD: Hey, that may be just right! It would be about the right location and size for her.  And it even has heavily barred windows for security.  Rose said that she just had a break-in. 

Bet: Boss, I hope you don't mind me saying so, but that woman gives me an uneasy feeling. Like she's involved in something illegal.

CD: Well, she pays top dollar and she pays on time, so I'm not losing any sleep over it. Besides...she's kind of pretty.

Bet: Since I'm old enough to be your mother, let me give you some maternal advice: You need to quit running around, find a good woman, and settle down. Now, as for this Rose - watch out - there's too many thorns.

CD: (Smiles, not taking her seriously) Thanks, Betty, I'll keep that in mind.  But let's get back to business. I think  I'll  drive out to the country tomorrow.  If the state builds that bypass around the city I've been told about, then this might be a good time to pick up some property at the right price. I might even drop by my brother's place while I'm in the neighborhood.  Betty, why don't you  come along? I could use someone to run some errands and check some deeds for me, and that good country air will do you wonders. 

Bet: Well, I think I can. My roommate, Alice, is going to be gone for the weekend, so why not? 

CD: Good. I'll pick you up early in the morning. Now,  I think I'll drive by that property and take a look at it.  

(Lights out)

Nar: Indeed, CD would take a trip to the country, and stop at his brother's.  He hadn't been out there for some time.  Not  unless it was some expected time like Christmas or a birthday.   Was he going just for business?  He'd been too busy to marry, maybe he needed some time with family. Maybe he needed to get away from the fast lane and breathe some fresh country air. He told himself there could be a big real estate deal in the making, but the idea of seeing his family had more appeal than  usual.  Maybe this tough wheeler dealer wasn't so tough after all.  Well, we'll just see. 

End Scene 1     -------

Scene 2 - Restaurant.  Waitress is wiping tables and waiting on customers.

(Lights on)
Nar: This is CD's brother's place. It's a throwback to the old west saloon, except the strongest thing they serve here is the morning coffee. 125 years ago it was the junction of two trails: one for wagons going west and one for cattle going north out of Texas. So there was many a traveler passing through these parts -  a family of settlers in their Conestoga wagon, a stagecoach carrying passengers and mail,  or a group of cowhands who had just bedded the herd down by the river. Today, it sits next to the traffic on state route 22.  It's the local gathering spot for friends and neighbors to sit and talk. Even though its pretty much your average restaurant, it still goes by its old west name: Ma Jenkin's Sagebrush Stage and Cowboy Canteen.  Though in these busy times, it's more commonly referred to as just the Sagebrush Cafe.   Most of it has been rebuilt over the years due to fires, but a few walls and pillars are still the original timber.  
       This morning your waitress is Carrie. She's a fairly typical young lady. Three years ago, she met a handsome young man, they had a whirlwind courtship and were married. Last year he ran off with another woman. The owners of the Sagebrush, Jesse Merritt and his wife Cora, took her under their wing, gave her a job, took her to church, and gave her an understanding shoulder to cry on.
       Over there at that table you see Jesse and Cora having their morning coffee.  As owners of The Sagebrush, they've got some problems, too.	 	

Cor: Jessie, what's the matter? You seem troubled this morning.

Jes: Well, I did the books last night and business just hasn't been that good.  I don't know if we can pay the mortgage this month. (pause) Cora, maybe we should never have bought this place. 

Cor: Now, Jessie, don't start that.  Remember how excited you were when you found out Ma Jenkins was your great great-grandmother, and you could buy her cafe and bring it back into the family again.  Owning your own business and especially this one was a dream of yours for a long time. You can't give up on your dream.

Jes: Maybe a dream is just that - a dream. Something apart from reality.  Just an impractical fantasy.

Cor: Now, Jess, you haven't heard me or the girls complain one bit. We love this place. There's a real sense of history here.

Jes: But history and dreams don't pay bills.

Cor: Don't you worry we'll manage somehow. We always have and we always will. God has always taken care of us, Jess. You know that's true.

Jes: (shaking his head at his own pessimism, then suddenly smiling)  Cora, what would I do with out you?  You're right, God has promised to meet all our needs. I don't see how all this can work out, but I guess as long as we're doing our part , we'll just trust Him.

(Daughters come running on stage.)
Bri: Daddy, Andrea says I haven't been good enough to get anything for my birthday this year.

Cor: Andrea, did you say that  to her?

And: Well, not exactly.  I just told her to make sure she did good deeds this week so she will get something nice for her birthday. But she refused.

Jes: What kind of  good deeds?

Bri: She said I had to make her bed and clean her room all week.

Cor: Andrea, you shouldn't say those things to your sister.  You're older. You should know better.
(Bri sticks out tongue at And)  And Bridget you're not to be such a tattler. 

Jes: (teasing) Isn't it about time for you girls to be off to school?

Bri: Daddy, it's Saturday.

Jes: Oh, so it is. (chuckling) I guess I can't fool you.

Cor: In any case it's time for you to do your cleaning chores.
And: Aw, not yet.

Cor:(rises and escorts them) Come on, the sooner you get done the sooner you can play. 

Jes: I'd better check things in the kitchen. 
(They all exit)
 
(CD  and Betty enter.)
Bet: So, this is the Sagebrush Cafe.

CD: Not overly impressive, but at least somewhat historic.

Bet: Do you want me to run down some deeds while you talk to your family?

CD: Yeah, get me all the information you can. If  I'm going to buy that land we were looking at before the state announces its plans to build the highway, I want to act fast - while I can still buy it cheap. Oh, here's the car keys. And hand me Thompson's phone number, I'll call her right now.  When you get back I'll buy you a piece of the famous Ma Jenkin's apple pie.

Bet: OK, I'll hold you to that.

Car:(to CD) Good morning, sir.  Have a seat and I'll bring you some coffee and a menu.

CD: I guess you're new here.

Car: Excuse me. Did I say something wrong?

CD: No, It's just that I'm CD Merritt, Jesse's brother.  I guess I've been away longer than I thought.  

Car: Well, nice to meet you.  Would you like me to tell Jesse that you're here?

CD: Yes, I'd appreciate that.  While you're locating him, I need to make a phone call.

Car: Sure, it's right over there. (Points) I'll go get Jesse.

CD: (Makes call. Talks to self while waiting for it to ring.) I hope Rose is in. If I can get her to go for that warehouse , I could have a record financial month. (Listens as phone is answered.) Oh, great! An answering machine. Gotta make it quick. (Takes breath)  Rose, this is CD Merritt. I found just the place for you. It provides maximum security. There is an alarm system and bars on the windows. The perfect location for you. I'm spending the weekend at the Sagebrush  Cafe on Route 22 if you want to deal. (Hangs up as Jesse and Carrie return.)
Jes:  Well, it's good to see you, baby brother. (shakes hands with him)  I didn't hardly believe Carrie when she told me you were here.

CD: I was going to call, but I wasn't sure I could get away until late last night, so I just got  up early and drove out here. 

Jes: Have you had breakfast?

CD: Not for a long time.

Jes: Carrie, bring him the breakfast special.(She exits.) Have a seat.  

CD: (Watching Carrie) Now that's the prettiest waitress you've had here. I may have to come around here a little more often.

Jes: It has been quite a while since you were here last. Tell me what you're doing way out here in the country. 

CD: My  main reason for coming is business, but seeing that waitress...I may have time for a little pleasure. 

Jes: I can see you haven't changed much.  But take it easy on Carrie, she's a sweet gal, but she's been through a lot.  So what business is important enough to bring you out here, away from the city.
 
CD: Well, I got a tip from a friend in the Dept. of Transportation.  He said that there was a plan to build a new highway through the area, and I thought I'd pick up some of the property along the route, before the plan is announced.

Jes: Isn't that a little dishonest? 

CD: Depends who you talk to, me or the guy that I'm going to buy the property dirt cheap from. But, enough business. How's the family doing?

Jes: Real good.  Cora and I are doing fine.  The girls are doing well in school, and Bridget’s going to have a birthday soon. 
(Cora enters)  (Jesse calls to her.)  Oh, Cora. Look who just dropped in.  

Cor: Hi, CD!  How are you?(Hugs CD)

CD: Just fine. It's good to see you again. I always find it refreshing to come out here and be with my family.
Cor: Well, we're always glad to have you. Can you stay for a while? 

CD: Just for the weekend.

Cor: Well, I'll have the girls make up the spare room. You just make yourself at home.

CD: (to Jesse) Now, Jesse, you've got a good woman here. Wish there was another like her for me.

Jes: (teasing) Well, you're just seeing her good side. If you only knew...

Cor: (mock anger)Jesse Merritt, how would you like to run this place the rest of the day by yourself?
 
Jes: Of course she does have her good points...

Cor: (smiles) Oh, you're hopeless. (turns to CD) CD, when are you going to get your nose away from the grindstone long enough to find yourself someone nice, get married, and give me some nieces and nephews?

CD: I don't know. It just seems I never have time for any real, long-lasting relationship to develop.

(Bridget enters with ice cream cone)
Jes: Bridget, what are you doing in here? You're supposed to be doing your chores

Bri: I just got done.
 
Cor: And what are doing with that ice cream cone? It will spoil your lunch.

Bri: How about if I don't eat all of it? (sees CD) Hi, Uncle CD. Would you like half of my ice cream cone?

CD: (smiling) Uh, no, but thanks for asking.

Cor: If you will excuse us, we'll go get your room ready and check on a certain young lady's cleaning chores.

Car:(Carrie comes over with his food and coffee) Here you are Mr. Merritt, if you need anything else just let me know.

CD:(stands) Please call me CD.

Car: Well, enjoy your breakfast.
CD: Thanks for the food. Since I'm going to be here a few days what do you say we get to know each other a little better?(Puts arm around her)

Car: (pushes his arm away) Well,  You're just like ....... (catches herself) Since you're Jesse's brother I thought you might be different. (as she exits, Jesse stands)

CD:  Well, you don't have to be so huffy about it.  I was just trying to be friendly.

Jes: (sternly) CD, I told you to go easy on her. (softens) Let's take your plate and go across the road to our house. You can eat and tell us what 's been going on in your life. (picks up plate and starts toward door) (They exit)

(3 Ladies enter and sit down)

Lizabeth: Darn, Chester isn't here, and I even put on perfume for him today.

Loreen: That's what I smelled! I thought that Farmer Bob had moved his pigs upwind again.

Lizabeth: Very funny, this perfume happens to have come all the way from Paris, France.

Lucille: Fragrance of "Pepe Le Peu."

Lizabeth: You two are just jealous because Chester's going to be drawn to me like bees to nectar, swallows to Capistrano.....

Loreen: Mice to a trap.

Lucille: Flies to Manure.

Car: (Car. enters) Hello ladies, May I take your order?
(All three start talking at once)(Car. raises hands) One at time, please. (looks at Lizabeth, to indicate her first)

(Chester enters, goes to bar)

Liz: Oh Chester, there's a chair here at our table.
(Ches winces, reluctantly goes to their table)
Ches: Hello, Ladies.  How are you all doing today?

3 Ladies: Just fine, Chester.

Ches: Good,  what's that I smell? (Lizabeth is beaming) Farmer Bob must have moved his pigs upwind again, either that or there's a skunk in the area.

Loreen: (Loreen, Lucille laughing, crying) No, it's just Lizabeth's new perfume.

Ches: (embarrassed) Oh, sorry.  Uh(struggling to change subject), did you hear about that armored truck robbery. (all 3 ladies shake heads no) well, it seems to have been done by two men in a blue cargo van.  The authorities don't have any suspects and very few clues.  

Loreen: Well, if you were there you'd have caught the crooks by now, wouldn't you Chester?
  
Ches: Well, those crooks would have to be pretty sharp to pull off an armored car heist. But they'll make a mistake somewhere along the line, and one of my fellow officers will soon be fitting them with iron bracelets. Why those crooks are somewhere right now - probably gloating and planning their next move.  (lights out)

---------- End scene two-----------

Scene Three

(Rose Thompson is sitting in her office.)

Nar: That phone call that CD made seemed innocent enough. But it is about to stir up a hornet's nest full of trouble. Technology is wonderful, but a misunderstood answering machine message is about to set in motion a tragic chain of events.
(Lights on)
(Two men enter.)

Dirk: You wanted to see us, Boss?

Ros: Yes, you boys did a good job yesterday. Everything went just the way I planned it.

Ted: When do we get our cut?

Ros: Just as soon as we get the money laundered. Shouldn't be long. In the mean time we may have a little problem to deal with.

Dirk: what's that?

Ros: Well, that warehouse we used for the setup -  where we kept the van parked, the landlord came snooping around a few days ago.  He may have seen something.
Ted: Is he smart enough to figure out what went down?

Ros: He's smart all right. Until now I thought he was smart enough to keep his mouth shut, especially if I sent a few dollars his way. 

Dirk: So what happened? 

Ros: When I came into the office a while ago, I checked my answering machine. There was a message on there from our Mr. Merritt.  Let me play it for you. (voice over of message)

Dirk: Bars on the windows? Maximum security?  Hey! I don't like the sound of this!

Ted: It sounds like he's on to us!

Ros: Yes, but apparently rather than go to  the cops, he's willing to make a deal.

Ted: So are you going to try and buy him off?

Ros: I don't know. He strikes me as the greedy type. If I let him start blackmailing me, there may be no end to it. (Brief pause) I think we may need to pay a visit to him, and give him something to think about.

Dirk: What did the message say  about where he was going to be?

Ros: The Sagebrush Cafe -  it's out in the country. We better hit the road. If he hears about the reward, he may not wait to hear from us.
   
Ted: I'll get the car ready. (He exits.)

Ros: Well, our Mr Merritt better be real reasonable, or he'll find out just how unreasonable I can be.
(Lights out)
----------- End Scene Three------

Scene Four

(Lights on. Restaurant. Three spinsters are having their evening meal.)

Nar: Well, while Rose Thompson and her men are on their way here, the Sagebrush is having a seemingly normal evening. Lizabeth, Loreen, and Lucille are having their usual evening meal. And discussing their favorite topic:

Loreen:  Why isn't Chester here yet?(disappointed) He's usually here by now - making his evening rounds.

Lucille:  Lizabeth probably drove him off with her perfume.

Lizabeth:  At least I'm trying!  All you two do is sit there and hope he falls in your laps.

Lucille:  That would be nice!(teasing Lizabeth)

Loreen:  I thought that maybe I should invite him over for dinner.

Lucille:  What restaurant?

Loreen:  Cafe Loreen.

Lizabeth:  Your house?!

Lucille:  Are you trying to kill him?

Loreen:  My cooking isn't that bad!

Lizabeth:  Then why do you eat here every meal?

Loreen:  To keep the two of you company.

Lucille:  Sure.  Everybody in town knows that you're such a bad cook, you won't even eat your own cooking.  If  I remember correctly, there was some doubt as to whether your husband really died of natural causes or if it was food poisoning.

Loreen:  Like the death of your husband was above suspicion.

Lucille:  He was drunk at work one day and fell in the yogurt vat and drowned!

Loreen:  Well, some say that your rum cake experiment was a little... shall we say strong.

Lizabeth:  At least nobody can say that my divorce had anything to do with my cooking!

Lucille:  That's true!  But the fact that he ran off with a woman who was mute, may give some insight into the situation.

 (Ches. enters with Bet. on arm)
Bet:  Thank you for fixing that flat tire on the car, and then following me into town to make sure nothing else happened.

Ches:  Just doing my job ma'am. Would you like some pie and coffee?

Bet:  No, thank you.  I do need to be going soon, but you go ahead.

Ches:  Well, my dad always taught me never to pass up a good piece of pie, ma'am.

Bet:  Call me Betty.

Ches:  All right, Betty, and please call me Chester.
(they continue to talk, unheard by audience)

(Ladies notice and all three are upset)
Loreen:( with shocked look)  That can't be Chester over there.

Lucille:  That had better not be!!!

Lizabeth:  Have either of you seen her before?

Loreen:  No, but she's pretty.

Lucille:  You don't think she's prettier then we are do you?

Loreen:  Of course not.

Lizabeth:  Aren't we overreacting a little bit?  I mean she might be a nice gal.

Loreen:  Are you crazy? (All 3 are staring at Betty)

Lucille: He's mine.  So she'd better not think of trying to date him.

Bet:  Chester, did I do something wrong? (Betty glances at the 3, they look away)

Ches: No, why do you ask?

Bet:  I have the feeling I'm  being stared at by those ladies at the other table. (3 stare again)

Ches:  No, don't worry about it.  They need to get their feathers ruffled every once in awhile, it's good for them. (Betty glances at 3 again, they look away)

Loreen: There isn't room for another woman in this relationship.

Bet:(obviously disturbed)No, I need to go anyway.  Thanks again for helping me.(stands up and starts to leave)

Lucille: (loudly) What a shame she's leaving already.
(Bet. stiffens and leaves)

Lizabeth: Oh, I hope Chester isn't mad at us.

Ches:(stands and goes to ladies’ table. obviously upset) What is wrong with you!?! 

Loreen:  Uh....

Lucille:  We did you a favor.

Ches:  Embarrassing and running off an innocent lady is some favor!!!

Lizabeth:  Well, you seem a little put out.  We were only trying to save you. 

Ches:  Mind telling me what I was saved from?!

Lucille:  She wouldn't be good to you.

Ches: She seems like a nice lady who is a visitor here. Instead of being hospitable to her  you're acting like three cats caught in a rainstorm.(Ches. stomps out)  

Lucille:  Well, I never!  He honestly thinks we did something wrong.

Loreen: (dazed)Yeah. Well, it's closing time anyway. Let's go.
(They get up and leave)

(Car. enters and begins to clean up tables)(CD enters)
Car:(without looking up)  I'm sorry, but we're closed.  

CD:  That's too bad,  I was going to have a cup of coffee with my favorite waitress.

Car:(looks up)  Sorry, I'm busy. But you can help - Put up the "Closed" sign on your way out.

CD:  Actually, I came to get the paper I left here this morning. Why don't you let me give you a hand with that? (starts to help her clean up)
Car:(gets paper and practically throws it at him)  There's your paper,  now you can leave.  

CD: You don't give a guy much of a chance, do you?

Car:  Let's just say I'm pretty picky about who I spend my time with.  

CD:  Come on, I just met you.  We got off to a bad start. How about giving it another chance?

Car:  No.

CD: What's wrong with you? I have a successful business, drive a nice car, and have a cozy apartment by the lakefront. Most girls find me attractive. Why are you so touchy?

Car:  I have a life.  I also don't fall for every two-bit businessman that thinks he's God's gift to women. And...(CD interrupts her)

CD:  Hey , go easy on me, will you?

Car:(catches herself and softens somewhat) I'm sorry if I seem to be somewhat abrupt, but in the last year I've had some experiences I don't want to repeat. I've had trouble getting a lot of things sorted out, but with God's help I'm getting there. So, I'm not interested in spending time with someone who isn't interested in God.

CD: Oh, so you're religious.  Well, that's Ok. I used to go to Sunday School in my younger days.

Car:  (sighs, shaking head) You just don't understand. If you'll excuse me, I have work to do.
(She walks away to another table)

CD: (thinks for a moment, unwilling to give up) I can't leave without helping you with some of this work, Jesse is putting me up for the weekend. He won't let me pay him, so I want to do something to help out. Doesn't the Bible say  something like: "If you  don't work, you don't eat." ?  You wouldn't want me to starve to death would you?  On second thought, don't answer that.
 
Car: If you want to help Jesse out, that's fine.  But please just leave me alone.

CD:(chuckling) Whatever you say. What, besides leaving, do you want me to do?

Car:(dishes are cleaned up by now)  You can move the shipment of kerosene that came in today.  It's for the extra heaters we use when it gets really cold. It's in the storeroom. (Points toward storeroom)   It is sitting in the middle of the floor and needs to be moved out of the walkway. But first,  get the stuff out of the freezer for tomorrow. I'll show you where it is. (exits to back door)
CD:(following)  Lead on to the freezer, Kemosabe. As if your attitude wasn't cold enough.

(crooks enter from storeroom)

Dirk:  Ok boss, what's the plan.

Rose:  First we find Mr. Merrit, then we show him the "merrit" of going along with us.

Ted:  How are we going to convince him?

Rose:(points to Dirk) Dirk will show him the device that we'll attach to his car if he doesn't keep quiet.  That ought to convince him.

Ted:  Isn't that a little dangerous to be carrying around?.

Rose:  There's no explosive in it yet. Only the igniter. If you drop it - it sends off a shower of sparks.

Ted:  Just make sure that you don't drop that thing next to me or anything explosive.

Dirk:  I hear somebody coming.

Rose:  Quick, hide in here.
(the three exit to storeroom)
(Jes. enters through front door)
 
Jes:  CD.....Carrie
 (sound comes from storeroom)

 Jes:  They must be in there.
(Jes. exits to storeroom)(surprised grunts, then sounds of scuffling are heard)
(hear RUN!!, then either see smoke or hear fire alarm, or maybe sound of explosion)
(CD and Carrie enter.)
CD: Jesse, where are you.

Car: I smell smoke! It's coming from the storeroom. (They rush to storeroom and look in.)

CD: Carrie, call the fire department! All I can see is a wall of fire!
(Lights out)
           ---------End scene four---------

Act II - Scene I

(Lights on)
Nar: The oldest section of the cafe burned down Saturday night.  It was the main part of the original building.  As the cafe changed hands several times over the years, the building was remodeled and had additions built on.  When Jesse bought  the place, he made the old section into a storeroom.
His hope was to one day make the old room into a small museum for western artifacts and memorabilia. Now, it appears that dream is gone. After the firemen extinguished the blaze, they found more than the usual rubble and building debris. They found a charred body.
    The family is still reeling from  losing Jesse.  The sudden, tragic death of a husband and father is very devastating, but especially so when it is someone as well-loved as Jesse. It was decided to close the cafe, at least for a couple days, until the family decides what to do.  CD has stayed around and has been busy helping Cora with arrangements and business decisions. The loss of his brother has made him very quiet and thoughtful.
(Car. enters) Carrie has been sent over by Cora to find one of the cafe's business ledgers.

Car: (Car. is rummaging around in cupboard or whatever, has back to door) Its got to be around here somewhere.

Ches: (Chester the policeman enters, Car. doesn't notice, Ches. comes up behind Car. and looks over Car.'s shoulder) What are you looking for?

Car:  (SCREAMS)  (throws papers in air) (pause - getting breath)You can kill a person doing that!

Ches: Sorry, I guess you didn't hear me come in.  Cora said I could find you over here.

Car: (slightly agitated) You certainly found me!  What do you need?

Ches: Well, I wanted to ask you a couple questions about Saturday night.

Car: OK.

Ches: CD told me what happened, but I'd like to hear your version.

Car: Well, I had cleaned up, and CD and I were getting the food and supplies ready for Sunday.  We heard someone come in, and then we heard Jesse call our names.  We came back out here to see what he wanted, but when we came out all we saw was smoke coming out of the storeroom door.  So we ran up there, and CD opened the door.  He saw how bad the fire was and told me to call the fire department.

Ches:  That checks out with what CD said.  Do you know of any enemies that Jesse had?
Car: You don't think that this was deliberately set by someone, do you?

Ches:  The fire is a little suspicious.  I'm just covering all the possibilities.

Car: Well, I don't think Jesse has ever had an enemy in his life.   

Ches: I have a witness who reported a car speeding away from behind the cafe. So I looked behind the building. I found tire tracks and what looks like blood.

Car: I can't believe anyone would want to hurt someone as kind and nice as Jesse.

Ches: I agree. Jesse was a really good man.  We're sure going to miss him.

Car: Now, his brother - I could believe he would have enemies. 

Ches: I take it you two haven't hit it off too well.

Car: I'd like to hit that arrogant jerk.

Ches:(grins) Now, mind your temper, Carrie. I'd hate to have to run you in for assault and battery.

Car: In his case it would probably be worth it.

Ches: Well, I've got to be going. If you remember anything else about the other night, I'd appreciate it if you would give me a call.  See you later.(Ches. exits)

Car: Well, that ledger isn't here, perhaps it's behind the bar. (Car crouches behind bar)

Bet: (Carrying papers, enters unnoticed, looks around for someone, walks over by bar, absent mindedly slaps counter top of bar)

Car:  (SCREAMS) ( Betty throws papers, both are screaming) What is it with this place? (they start picking up debris)

Bet: You seem a bit jumpy.  What's with you?

Car: I'm used to this cafe being full.  When its empty, it's kind of spooky. After what happened to Jesse, I just don't feel safe in here alone.

Bet: I stopped over at the house  - looking for CD. You haven't seen him have you?

Car: No, thank goodness.

Bet: Well, he's due back here before long. Would you mind giving him these deed copies he wanted and today's newspaper?

Car:  Sure, I'll take care of it for you.

Bet:  I can't stay. Chester is taking me out to lunch. Wouldn't that just make the day for those three crazy women who were in here Saturday? By the way they're over at Cora's.  They brought over a casserole for the funeral dinner.  I'll bet that will be tasty. Well, I've got to go. Chester is waiting. 

Car: See you later.(Bet exits) (Watches her leave, then talks to herself) Well, she seems nice enough, despite her boss. And Chester is a good man. (pause)I wonder when my day will come? Some say I'm too picky. But I can't imagine putting up with a guy like CD. No, I can wait. (puts down deeds on table, looks at paper) Well, let's see what's in the paper. (she looks it over for a few moments, CD quietly enters unknown to her, he walks up to her)

CD: What's new? (Car jumps and muffles a scream)  Sorry if I startled you.

Car: No, I'm getting used to it. (awkward pause)  Betty left these deeds for you.  And, here is today's paper. (hands deeds and wrinkled paper) 

CD: (somewhat dejectedly)Thank you. (looks at deeds) Funny, these land deeds don't seem all that important right now.

Car: (Noticing CD's dejection) CD, were you and Jesse very close?

Cd: We'd  kind of drifted apart these last few years. But he was still my brother. It has been such a shock to Cora and the girls, but their faith seems to be getting them through this. I'd like to help them, but I don't know how. (realizing he's showing too much of his feelings, he changes the subject)  Um-hm (reading paper) Here's an article about an armored car robbery and a picture of a blue van the suspects used.  Why does that van  seem familiar?

Car: Well, vans are pretty popular right now.  You've probably seen one like it some where. 

CD: Maybe, but this one is a sky blue cargo van, and it rings a bell for some reason.

Car: Well, if you'll excuse me, I'm going back to the office again and see if the ledger is there. 

CD: Ok(absently from behind paper)

Pas:(enters front) Hello.  Perhaps you can help me - I'm looking for Cora Merritt.

CD: Hi, she's not here right now.  I'm CD Merritt, her brother-in-law.

Pas: Well, Mr. Merritt, I'm pleased to meet you.  I pastor the church that Jesse & Cora attend.  My name is Stephen Carter.

CD: Oh, yes, Cora mentioned that you phoned her last night.  She said your prayers and words of comfort meant a lot to her.

Pas: Well, I was just driving by on my way to a meeting.  I thought I'd stop in for a minute and see if there was anything I could do for the family.

CD: No, I don't think so. I know Cora has already talked with you about the funeral, and I do appreciate your stopping by. Cora is over at the house right now.

Pas: Oh, I won't bother her - perhaps she's resting. (pause) How are you doing, Mr. Merritt?  Your brother was a fine man.  To lose him so suddenly was surely difficult for all of you.

CD: Yes, it has been very difficult.  He was a good man.  I don't understand why.. (shaking head) I guess I'm kind of confused.  I thought I had life all figured out.  But its not supposed to be this way.

Pas: Death makes us all stop and think. It causes us to focus on the real purpose of life. (pause) Mr. Merritt, I don't really know you, but I do know that for life to make any sense a person must develop a relationship with the God that made him.

CD: I..... I used to attend Sunday school as a boy.  I can still remember my teacher, Mrs. Fisk, she taught us stories from the Bible and told us we needed to get to know Jesus.  She said she'd pray for us.  Even when I'd get out of line, she didn't give up on me.

Pas: Mrs. Fisk is quite a lady. she really cares about her Sunday school students. She's still very active in the church.

CD: Yes, it wouldn't surprise me if....(embarrassed) if she's still praying for me.

Pas: Yes, yesterday, when she heard that you were back in town - she simply smiled and said these words: "Rejoicing when he comes home."

CD: I remember that phrase - it was from one of her favorite Bible stories.
(Carrie enters)
Car: Hello Pastor Carter.

Pas: Hi, Carrie.

Car: Can I get you some coffee?

Pas: No, Thank you.  I've got a meeting to attend. (To CD) Mr Merritt, It was nice meeting you. Perhaps we can talk again, soon.  If  I can be of help to you or the family, please give me a call.

CD: Thank you, we will.

Pas: Good to see you, Carrie. See you both later.
(pastor exits)

CD and Car: Bye.

Car: CD, have you seen Andrea and Bridget?  They came over here with me earlier, and I just realized I haven't seen them for awhile.

(before CD answers, Andrea and Bridget enter. Andrea is carrying an old box)
Bri: Uncle CD, look what we found.

Car: What have you got there,  Andrea?

An: It's an old box. We were in the storeroom and found it.

Car: Now, you know you're not supposed to be playing in there. There are a lot of loose boards and debris. You could get hurt.

An: I know. But Bridget's kitten went running in there.
 
Bri: And I followed Whiskers, I didn't want him to get lost. But he climbed up into a burned out hole in the wall.

And: So we pulled back some of the loose boards, so we could find him.

Bri: And we found this box, it was on some shelves.

Car: They must have been boarded over in one of the many remodelings this place has had.

An: Uncle CD, would you help me open this? Maybe there's something important in here.

CD: Well, the latch looks pretty rusty, but maybe if  I force it just a bit. (Box pops open.) Well, that was easy enough. What have we in here? (Pulls out watch.) 
 
Bri: It's an old watch. (She holds it) What else is in there?

CD: It's some type of  book or ledger. (Opens it) It's somebody's personal diary.(Begins to silently read)
CD: This belonged to one of my ancestors. This part is an account of his return to the Sagebrush after he was discharged from the army at the end of the Civil War.

Bri: Read it to us, Uncle CD. Please.

CD: Well, it does look pretty interesting.  Let's see what happened around here 100 years ago.
 
Car: Are you sure that this is going to be appropriate for young ears?

CD: Why sure. We Merritts have always been gentlemen.

Car: I might be able to believe that...(CD smiles) present company excepted, of course. (he frowns)

CD: (reading)  May 5, 1865.  Brother John met me at the station and I began the last leg of my journey for home today. 
(Lights out)

Scene 2
Nar: Yes, CD did begin to read from that old journal. It had quite a story to tell. In one of those strange occurrences that many people would simply label as "coincidence", CD finds something from over a hundred years ago from his own family tree that strangely parallels his own life. But now, it's time to take you back in time and let you see for yourself what happened.

(Voice over by CD): May 5, 1865. Brother John met me at the station and I began the last leg of my journey  for home today. We were riding in an old stagecoach that had definitely seen its better days. There were holes in the floor, and the ride was anything but smooth. It was sure a pleasant sight to have that coach finally pull up to the Sagebrush and let us out.  As we walked up to the door, we figured there must be a large group of cowboys inside - this we judged by all the horses that were tied up outside and the sound of a ruckus going on inside.
(Lights on)

(Old West saloon setting, except this is a dry saloon. Prices are for sarsaparilla, coffee, and tea.)
Nar: After a few weeks on the trail, cowboys could be a little testy. As you will see it didn't take much to set them off. The two brothers would walk into this situation.
Cwby 1:  I'm telling you I want a glass of beer. I've been out on the trail, and I'm mighty dry.

Ma: And I'm telling you, we don't have any  beer.  How about a nice cold Sarsaparilla?

Cwby 1: Now, I know you're just holding out on me.  You think I'm going get drunk and shoot up the place. That'll be nothing to what happens if you don't give me what I want.

Cwby 2: Hey, lay off. Didn't you hear the lady? Now, take what she offers you or get out.

Cwby 1: Yeah, and who's going to make me?

Cwby 2: I was hoping you'd ask. (Slugs him. Brawl breaks out. Cowboys pair up - fighting each other. May play William Tell Overture - Lone Ranger Theme. John and David enter. They are banged into by a pair of cowboys fighting - they pair off with them and fight in foreground. Soon John and partner are at bar. John is bent over backwards being choked. His hand searches for something to use as a weapon. Ma puts bottle in his hand. He hits cowboy over head who turns to audience google-eyed and staggers a few steps before collapsing. Now, David is bent backwards over bar. This time Ma puts a cream pie in his hand. He pies his fighting partner who also turns to audience with hands flailing in the air unable to see. John taps him on head and he goes down. Ma concludes brawl by firing a pistol into the air.)
Ma: All right you cowboys, the fight is over - clear out!
(Cowboys pick themselves up and stumble out.  Brothers "assist".)

Ma: (To David) Son, you're home!  (They hug) Let me look at you! (Holds him at arms length and looks him over) You've lost weight. You're downright skinny! Didn't they feed you?

D: They fed us all right. But it wasn't real regular and it wasn't real good. 

Ma: Look at your brother, he was only home a week before he went up to the station to fetch you. He's just beginning to get the color back in his face.

Jn: Reckon you just spoiled us with your good cooking. After eating a ton of beans , I'll sure never complain about your cooking.

D: One thing about being skinny, we made smaller targets.

Ma: I was so worried about you boys. 'Specially when I got the news about your brother Billy.  Some nights I didn't hardly sleep for fretting over you two.

Jn: I'd better go take care of the horses. David, I'll leave you to talk with Ma.

Ma: So, Son, how are you? Are you all right?

D: Yes, I'm all right.  Ma, I'm so sorry about Billy.  I tried to watch out for him and bring him back alive.

Ma: Don't be thinking about it. You've no doubt seen enough dying.

D: But he died in my place. I was talking to Billy when I asked him to hand me a map. He stepped over to the table to get it for me. The next thing I know - his blood was all over me.   A sniper had his sights on me - I was the senior officer on that part of the field. If I had waited a second longer to ask for that map - I'd be dead and Billy would still be alive.

Ma: Don't blame yourself. It's not your fault. 

D: But why? Why did he die? He was so kind and good?
(Ma with arm around him, comforts him. She is thoughtful for a moment)

Ma: Taint no use trying to figure out some things. Some things we just don't know. (pause) I'm sure happy you and John came back home to me. I prayed the Lord would protect you.

D: You speak of the Lord. You always told us about Him. You know how I resisted. It seemed to work for the others - but somehow for me it just didn't take. Sure I went to church some, but ....

Ma: You were my stubborn one. Had to have it all figured out.

D: When there are people dying all around you everyday - friends, neighbors, and kin - you stop and think about eternity. There were even revival meetings in the army around the campfires at night. I look at things differently now than when I left. But the question that stands in my way is: Why Billy? I just don't understand.

Ma: Lot's of things in this world don't make sense. War is one of them. I  'spect everyday living is like war in some ways - fighting to just survive. And trying to just figure things out - when everything seems wrong. (pause)  You know, Son, you said Billy died in your place.

D: He did! That bullet was meant for me.

Ma:  Son, you must be very special. You already had Someone else die in your place - and it was no accident. Your life is important - make the most of it.

D: But how? I'm so confused.

Ma: Look at the watch I gave you before you left for the war.
(D takes it out)
Ma: Read the inscription.

D:" Luke 15: 5-6  Rejoicing when he comes home."

Ma: I gave a watch with the same inscription to all three of you boys.

D: But Billy didn't come home.

Ma: No. (pause) He went home ahead of us.

(Lights out)
(Voice over continues) CD: After thinking about all that happened, I finally got the message. Two days after coming home - I, David Jenkins, knelt down after closing time in the Sagebrush and found peace with God.
(End Act II)

Act III
Scene I
(Lights on) (CD is leaning on bar)
Nar: Now, we come to our final Act.  CD has had a lot to think about: first the tragedy with his brother, the visit and words of the pastor, and the remarkable story from the old west.  And what about that blue van that was involved in the robbery? Where has he seen it before?  As often happens when the really important issues of life become so obvious that they  will not be ignored - a person must face them and then make a decision.

(Family enters)

An: What do you want to talk to us about, Uncle CD?

CD: Well, there's just some things I want to say to you.
(Car enters. Notices she is interrupting.)

Car: Oh, I'm sorry. I didn't mean to interrupt. I just stopped by to see of there is anything I can do to help. I'll come back later.

CD: No. Please stay. I want you to hear this, too.
(He motions for her to join them. She does.)
CD: This is hard for me. Cora, I find myself feeling a responsibility to you and the girls. You're the only family that I have. I really care about what happens to you. Imagine that! CD the big shot businessman allowing feelings to get the better of him. I thought money was all that was important.  When  I left home I wanted to make my fortune. In large measure, I have been successful in doing that. Even my initials could stand for "certificate of deposit" - money in the bank. 

Cor: Now, CD, don't be too hard on yourself.  You needn't feel responsible for us. We'll manage just fine. 

Bri: I miss Daddy! (Comforted by Mom)

CD: I didn't realize how important a family is. Now, I have to tell you something for which  I hope you can forgive me.  I think I'm responsible for Jesse's death. 
(They react - surprised. "What?" etc.)
CD: I finally realized where I saw that blue van that was used in the armored car robbery.  It belongs to one of my warehouse tenants. I think she may be involved in the robbery.

Car: But how does that involve Jesse?

CD: I think they realized that I saw the van. They came here the other night to make sure I didn't go to the police. Chester has evidence that there was a car parked behind the storeroom the night of the fire. Jesse happened upon them, in the confusion - the kerosene was ignited.  And so I'm responsible for my brother's death.

Cor: CD, there's no way you should carry the guilt of this. It was an accident.

CD: Thanks, Cora. But if I hadn't come here - Jesse would be alive today.

Car: The sniper aimed at one brother and hit the other.

CD(looking at  her ) Yes, Carrie, that's right.

Car: But you can't just play out the part of David Jenkins. What is CD Merritt going to do?

(Rose Thompson and henchmen burst in.)
RT: CD Merritt is going to come with  us. We have some business to discuss.

CD: Rose, what do you know about my brother's death?

RT:  We'll discuss that later. The car is waiting outside.

An: Don't go with them, Uncle CD! (Grabs him)

CD: It'll be OK, Andrea.(CD pulls her behind him to protect her)

RT: Now, we don't want to hurt anybody. CD, if you'll just come along now.

(Police come in quietly from behind.)
Ches: Alright, freeze! Hands up! (Crooks hesitate) Don't try anything foolish. We've got you covered. There's been one death already, let's not have any more.
(Rose raises hands, henchmen follow suit, police check them for pistols and cuff them.)
Ches: OK, Terry, take them away.
(Police escort crooks away)

Car: Chester, that was great timing! How did you know to come here?

Ches: Someone tipped us off. 

Cor: But who would know...

Ches: I'll let him tell you. Jesse!

(Jesse enters) (They all stare at him in shock)
Jesse: This is a fine greeting for a man who has been away from home for several days.

Cor: It can't be!

Bri: Daddy, I missed you!(Runs to him. Hug)
(Others, recovering, also surround him, asking many questions.)
(Lights out)

Scene 2
Nar:  Well, the old Sagebrush Cafe has had its share of excitement and adventure. But this day was one to rival any previous ones. It took some time for all the tears, hugs, and emotion to subside enough for Jesse to tell his story. He had indeed surprised Rose Thompson and her henchmen that night in the dark storeroom. In the ensuing struggle, two men  were badly injured. One of the henchmen fell unconscious and perished in the fire. Jesse was dragged away as a hostage. Since only Jesse was known to be in the storeroom, and the body was burned beyond recognition - the body  was assumed to be Jesse's.  When Rose Thompson and her men went to see CD this morning, Jesse was able to escape. He notified the police, and thus our happy reunion. 
       Now, as we near the conclusion - it is a few hours later and things have begun to settle down a bit.

(Lights on)
(CD, Carrie, Jesse, Cora, and kids sitting at a table)(3L's enter walk over to table)
All: Hello, ladies.

3 Ladies's: Hi

Car: How are you?  Would you like something to eat?

Lizabeth: No, Thank you.

Loreen: We need to ask you a question.

Lucille: You didn't happen to eat any of that casserole we made for the funeral dinner, did you?

Cor: No, not yet.  Why?

Lizabeth: Never mind, do you think we could have it back?

Cor: Sure! We're not having a funeral dinner and glad of it!

Car: Are you sure you ladies are all right?

Lucille: Oh, we're fine.

(enter Ches. and Bet. at door)

Loreen:  Yeah, we're fine.

Ches:  Hello, ladies.  Feeling better?

Loreen: Yeah, fine.(nervously trying to get away)

Ches:  I thought I'd ask.  Last time I saw you,  the three of you weren't exactly able to talk.

Lizabeth:  Thanks for asking.(attempting to leave before Chester says much more) 

Cor:  What's going on?

Ches:   I was just asking these ladies if they  were feeling better after their recent trip.

Cor:  I didn't know you gals took a trip.  Where'd you go?

Lucille: Nowhere special...(interrupted by Ches.)
Ches:  They stayed the night at the hospital.  Had to have their stomachs pumped.  Too much of their own cooking.

Cor:  Oooh, so that's why you wanted your casserole returned.

Jes: I'll go get it right now. (exits)

Lizabeth: If you'd clean your kitchen, we wouldn't be in this mess.

Lucille:  My kitchen! If you'd stop gabbing long enough to read the recipe correctly maybe we wouldn't have been heaving half the night.

Lizabeth: Well, how about those toadstools Loreen brought?. 

Loreen: They looked perfectly harmless and quite tasty.  (They go on silently, but gesturing as in argument.)

Ches: CD, (hands him a paper) here is a fax put out by the armored car company.  It gives the details of the reward for the capture of those men.  It seems to me that you and Jesse qualify.

CD: Wow, that's a lot of money!  Beats any commission I ever made.

Ches: It's 10% of what was stolen.

CD: Well, I want it all to go to Jesse.  He's the one that deserves it.

Ches: Whatever you say. Now, I have to get back to the station and make my report.

(Car. walks over to CD)(feels forehead)
Car: Are you ok?  You just gave away a lot of money - (slowly spelling it) M-O-N-E-Y.

CD: Yeah, I'm fine.  Uh, there's something I want to talk to you about.

Car: (folds arms and cocks head) CD, what are you up to now?

CD: Uh, I'm not... (hesitates) I mean I...oh, how can I expect you to believe me? 

Car: Are you sure you're feeling ok.  I've never seen you at a loss for words before.  You seem almost like a different person.

CD:  That's exactly it, I've changed.  I had breakfast with the pastor this morning before I talked with you and the family.  The "civil war"  inside of me is over.  I've joined God's side.

Car: CD, that's wonderful! (hugs him)(Then eyes get big, jumps back when realizes who she's hugging) I mean...that is wonderful. (pause)( looking into his eyes) I do believe you.

CD: Thanks. I want to apologize for the way I've been treating you.

Car: Well, I was pretty mean to you.

CD:  It was what I deserved for being such a jerk.  

Jes:(Jess enters with casserole at arms length) Here you are ladies. 

3 L's: Thank you.

CD:  Hey, Jesse.  You know that mortgage payment that's coming due.

Jes: All too well.

CD: Well, consider it paid.(hands him fax) 

Jes: What?(reads it)

Cor: CD, you gave me this watch that Andrea found in that old box with the diary.  You said to keep it as a remembrance of Jesse, but now that I have the real thing (takes Jes.'s arm), I think you should have it.  (gives watch to him)The inscription is to David - isn't that your middle name?

CD: Thanks, Cora. Yes, my middle name is  David, but I always thought" CD" sounded more important. How foolish I was! Right now, I wouldn't care if you called me Davy.

Car: (takes step  closer to him) Rejoicing he shall come home.

Cor: This has been some day.

Car: God, really can  bring good out of  the most tragic situations.
(Lights out)

Scene 3  (No pause)
Nar: Well, it seems things have ended rather well.  Chester gets a promotion for his part in solving the armored car robbery. He begins to spend more of his free time in the city with Betty. This does not make Lizabeth, Loreen, and Lucille very happy, but fortunately for them the state does begin construction on that new highway bypass. Suddenly there are a lot of construction crews in the area. And just like the cowboys of old, they make the Sagebrush their preferred watering hole.  Which is, of course, good for business for Jesse and his family. With the mortgage paid they're able to pay the bills and further restore the Sagebrush - thus fulfilling Jesse's dream.
(Lights on) (CD is leaning on bar)
       Now, what about CD?  As often as Chester was going to the city, CD was heading to the country to visit Jesse's family and a certain waitress he grew quite fond of.  It's been said that there is something different about CD.  He just doesn't seem all that interested in money anymore.  He's still very successful, but now he seems to enjoy it and smile a lot more.  All of which brings us to one final piece of business: "Charles David Merritt! Come here, young man."
    
CD: That voice! I remember it. (Turns to Nar - she walks into set) Mrs. Fisk! My Sunday school teacher from years ago. It's you. I didn't see you come in. (Goes to her)

Nar:  If I remember correctly you were the most head strong, ornery child in my class.

CD: Yes, Mrs Fisk.(answers like a little boy getting scolded)

Nar: If I also remember correctly you had a terrible time remembering to take all your belongings when you left Sunday school. (Holds out Bible to him) You left this the last time you came to class. 

CD: My Bible. After all these years. Why did you keep it? If anyone was running from God , it was surely me.

Nar: Well, David, I've learned that God doesn't give up very easily. I hoped there would be a day when you came home, and would have a use for the Bible. 

CD: Thanks, I owe you a lot. (Sets down Bible and hugs her)

Nar: Well, how about if we talk about it over a piece of pie.(both start to walk away)  And David?

CD: Yes, Mrs Fisk?

Nar: (Handing Bible to him)  Hold on to this. I'm not picking up after you any more.

CD: Yes, Ma'am!(They walk to table and sit down.)
Lights Out				     

  --  End  —